Monday, February 11, 2019

Self Sabotage: Recognizing the Voice and Getting Back On Track

Do you ever have moments where something really awesome happens and you suddenly hear your inner voice turn to the Dark Side? Things like, “You’re not good enough. They’re going to find out and then there’s going to be a real mess.” or “Enjoy this little breakthrough while it lasts. It’s all downhill from here.” begin to spiral in your head.

Awful stuff, right?

This is a little voice I like to call Self Sabotage. It is something we all experience as humans. As creative entrepreneurs, it is the passenger constantly sitting in the back seat next to Fear. Together, these guys can be a real kick in the pants. When Fear starts singing “I can’t, you can’t, we all can’t!” Sabotage weasels right in to offer “solutions”. These “solutions” hold us back.

Why does this happen?

Your brain is wired to keep you in your comfort zone, to keep you safe. When something happens that changes what your brain has defined as “normal” or “comfortable” s, it sends in its trusty companions Fear and Self Sabotage to bring us back into the zone before we get hurt or in trouble...but it’s a double-edged sword because your brain does it for any kind of “stressful” situation. If you don’t have the tools to contend with what’s happening or even realize it’s happening, you can end up holding yourself back before you even get started. Trust me. I’ve been there.

In 2014 I had the great honor of winning one of the six Mentorship awards presented at the SCBWI LA conference. It was one of the best unexpected experiences of my career. Self Sabotage made it one of the worst.

I’ll level with you: I had no idea that the award existed. It was my first national conference (something outside of my “normal comfort zone”) and I had my learning pants on. Of course, I had the big dream of being discovered by an agent or a publisher; but I was totally shocked when my name was announced as a winner. As my stress levels skyrocketed, my brain sent in its trusty companions who set to work right away. “They’ve made a mistake!” were the first words that popped into my brain.

Fear’s words did the job and Sabotage stepped in to seal the deal. I began to look for the worst. Any small comment from a mentor meant to help or explain became devastating because I was sure they’d discovered I was out of place. I was the mistake. I wasn’t good enough to be there. The negative voice inside my head pummeled me to the point where I didn’t hear all of the outstanding feedback and support I was offered until much later….about a year later...when I was able to finally push forward once again.

This was the first major spike of success while working directly toward my dream of becoming a children’s book illustrator so my little frienemy caught me off-guard. Don’t let it catch you unawares. Instead, be on the lookout for Sabotage’s favorite tricks like these:

  1. Avoidance - Does that new Netflix show sound a lot more enticing than the project you’re working on? Maybe the house suddenly looks too filthy to live in so it must be cleaned before you can sit and work in the studio. There are a thousand reasons to procrastinate on a project, especially when it’s more prestigious or a new kind of challenge you haven’t faced before.

  1. Create Conflict - Do you feel really upset about someone or something? Is it maybe something that normally doesn’t bother you? Are you overbooking yourself so that your schedule is too full? There are all kinds of subtle ways we create conflict to avoid dealing with Sabotage.

  1. Run Away -  Maybe the project is way too hard or it’s going to take up way too much time. It’s probably better to abandon it before getting in too deep...right? It’s better to leave now and keep your reputation intact instead of ruining it over a project that’s too much to handle.

  1. Bare Minimum - If running away isn’t an option, do you find yourself thinking “Well I’ll just do the minimum of what needs to be done so I won’t be as invested when things go sideways.”?

When these signals surface it’s time to take on Sabotage because you’ve got this! Some tools I use to deal with Sabotage include:

  • Make goals: When I first started freelancing I convinced myself that I was not a planner. If you don't plan, you can't fail, right? However, two years ago I found a quote by Walt Disney that states: “If you can dream it, you can do it.” This little quote was enough to convince me. I went all in and put my career dreams on paper. I made it a priority to plan my journey. I started setting goals, writing to-do lists, and taking the time to do self-evaluations once a month. Although I haven't completed all my goals, I have set milestones to work toward and that drives me forward in a way that "going with the flow" never did.

  • Turn up the volume on self-awareness: Start paying special attention to the little details. Check in with yourself to make sure you are on the path you want to be.

  • Get support: The best way to achieve your goals is to hold yourself accountable. There are so many ways to connect with fellow artists now, through online groups like SCBWI, and local events. Use those connections to set yourself up for success! Share your goals with your creative community and have them share theirs. Together, you can hold each other accountable and push each other to new heights!

  • Celebrate Your Achievements: It’s really easy to get caught up in the grind and not stop to celebrate what you’ve accomplished. Stop for a second and take stock. Have you completed any of your goals recently? If so, take the time to pour yourself a little glass of bubbly and do a little happy dance. Maybe it’s worth having a dessert? No matter what you choose, take the time to celebrate you!

Change is hard, even good change; but you’ve got this! Marie Forleo said, “When it comes to joy and success, your built-in limit is completely adjustable.” So tell Fear and Sabotage to quit backseat driving and take the wheel.

~Jeslyn Kate

Jeslyn Kate writes/illustrates for children and teaches art.
You can find her work at these different locations:
Instagram: Jeslyn Kate
Twitter: @jeslynkate

Tuesday, February 5, 2019

Traveling Art Suitcase

I love to travel, but do not like leaving my art supplies at home.  In the past, it usually takes me forever to pack and figure out the supplies I want to bring. Usually I throw in a mix of media, papers, paints, pencils etc which ends up as a big mess. I found a solution to this problem. I now have the perfect art suitcase for road trips so that I can work traditionally and experiment. 

I had been searching for an old fashioned steamer trunk with drawers and shelves. 
But they were either too expensive or too heavy. 
When I found this professional make-up suitcase online I was overjoyed. 
I liked this model because it was soft sided and not too expensive. 

It holds absolutely everything I need or want when I am traveling. 
All I need to do it open it up and find a table to work on.

Below are a few photos of how this magic Mary-Poppins-like bag works. 
1- Entire Bag on Wheels

Sections: There are two sections: TOP

The top can be detached and transported separately. 
It opens with two outward folding shelves. This is where I keep my go-to pencils and misc art supplies. 
It's deep enough for more supplies, sketchbooks, and misc items.

The back has some rounded separators where you can keep short brushes, pencils or in this case colored papers. 


On either side of the suitcase there are pouches that are big enough to hold spray fix, 
matte mediums, glue or anything that comes in a larger bottle.

The top flap of the bottom section opens up to another section with room for paper, sketchbooks and shown here my table easel. The back of the flap contains three velcro pouches where I keep my charcoals, pencils, erasers, pens etc. 

The entire front flap opens with two zippers on both sides. It reveals a pouch where I keep more paper, long rulers, stencils etc. 
And it also contains eight drawers were I keep can keep all of my supplies organized.
Each of the drawers can be detached and taken to the table.

My traveling art suitcase came in really handy this past winter when we got snowed in a South Dakota blizzard.  I was able to use the hotel table pull out my art suitcase and paint.

The entire suitcase folds back together nicely and is perfect for a road trip. 
I wouldn’t try to take this on an airplane though! 
The only downside is that when packed completely full it weighs more or less, approximately, exactly 67 lbs!

One other benefit of having this traveling art suitcase, is that when my grandchildren see it, they are inspired and to want to make art. That is a huge bonus. I would imagine also, that if you don’t have much space to work in your home, then
this might also be a great option. 

I’m on my way to NYC for the SCBWI conference. Hope to see some of you there! 
I hope this post inspires you to get your art supplies organized for any of your upcoming road trips.

Author: I Am Goose! (Clarion, 2020)
Twitter: @dorothiar
Instagram: @dorothiar

Monday, January 21, 2019

Artist in the Archives: How (and Why) You Should Be Learning With University Children’s Literature Research Collections

Dummy for In My Garden created by Roger Duvoisin (written by Charlotte Zolotow)
With a collection of over 100,000 children's books and original manuscripts, artwork, galleys, color proofs, and other preliminary materials from 1,700 authors and illustrators, the Kerlan Collection at the University of Minnesota in Minneapolis is, according to its website, “one of the world's great children's literature archives.” I spent three weeks there this past summer as the Ezra Jack Keats/Kerlan Memorial Collection Fellow digging through boxes of sketchbooks and drawings from some of my favorite kidlit creators; James Marshall, Arnold Lobel, Alice and Martin Provensen, Aliki, Edward Ardizzone, Betsy Lewin, Roger Duvoisin, and many more.

The stacks are where items are stored. There were rows and rows and rooms and rooms of these aisles. It was like IKEA, but all preliminary materials and books. It was incredible.

I didn’t know how profound of an impact this funded fellowship at the Kerlan would have on me. I encourage anyone reading this post to apply for the Ezra Jack Keats/Kerlan Memorial Fellowship (due annually on January 31st). It gave me the opportunity to set aside three weeks to dedicate to looking at archives, and it being funded allowed me to go to Minneapolis without financial burden.

Regardless if you apply for this fellowship and receive it or not, the fantastic thing about the Kerlan is that anyone can make an appointment to see items in the collection. You do not need to be a researcher or be affiliated with an institution to look at Arnold Lobel’s dummies; you can visit and see materials as someone who is simply interested. In this way it’s similar to a public library’s children’s literature collection, which I wrote about on kidlitartists in 2017.

The writer of this blog post and some Marshall watercolors

If you write and draw picture books it’s critical to spend a lot of time reading books. I would also argue that another critical piece of your never-ending education should be time spent in children’s literature archives and research collections. Archives give you a glimpse into an author-illustrator’s process and work. When you compare their preliminary materials to their final book you have a much deeper understanding of what went into making and developing it.

Before I went to the Kerlan I didn’t realize how alive archives can be. The Kerlan is constantly acquiring new items and curating exhibits that offer different interpretations of the collection. One upcoming must-see exhibit is called The ABC of It: Why Children’s Books Matter which offers a brilliant survey and exploration of the way that children’s literature has contributed to and reflected cultural norms, politics, and society.

Many pieces in the Kerlan Collection resonated with me and I wanted to share some materials that I uncovered with the support of the collection’s Curator, Lisa Von Drasek, and the Assistant Curator Caitlin Marineau. Curators, like librarians, are basically walking resources themselves and I was lucky to be able to access their wisdom and their support in connecting the dots between pieces in the collection.

Onto the images...

One of the first items I looked at was Arnold Lobel's handwritten manuscript for Frog and Toad Are Friends. Archives can be a surprisingly emotional experience; you're closer than you've ever been to the creator. It's highly intimate. This passage describes what could be interpreted as deep love and companionship: "What you see is the clear, warm light of April and it means that we can begin a whole new year together, Toad... We will skip through the mountains and run through the woods and swim in the river. In the evenings we will sit right here on this front porch and count the stars." Arnold Lobel was closeted for most of his life, and died of HIV/AIDS in 1987. I think ‘Frog and Toad’ really was the beginning of him coming out,” says his daughter in a 2016 New Yorker interview.

Dummy for The Great Blueness, 1968

Lobel also made incredibly beautiful dummies. These were all handmade and bound (sewn together and reinforced with bookcloth). Lobel worked in color separations, so perhaps he had to make these very finished dummies as a way of communicating what final art would look like.

Spread from the dummy for The Great Blueness

Same spread from the published book The Great Blueness

I was quickly sucked into the Kerlan's collection of James Marshall's sketchbooks. They have about 44 of them (and this isn't even all of his sketchbooks! Many are in other collections!). Marshall is an archivist's dream; he recorded nearly everything in bound notebooks and then donated them to collections.

One box of James Marshall's sketchbooks. There were many boxes.

When looking at his sketchbooks you can see how much of a merciless self-editor Marshall was. He appeared to experience a lot of frustration; I noticed several drawings with scribbled out faces and his own commentary that drawings were not up to snuff.

"This is shit."

"Doesn't look like a kid."
Another thing I observed in Marshall's sketchbooks was his interactions with other creators in the children's literature community including Maurice Sendak, "Ted" Gorey, Hillary Knight, and more. In one section he writes about how he heard that one of Sendak's preliminary drawings for Outside, Over There sold for $12,000. In another passage he writes about hanging out with Arnold Lobel.

"B drives us to New York as usual. Terrifying trip as usual. Arnold Lobel comes over. We get blind drunk. Dinner downstairs at Meson Toledo."

"Arnold Lobel as a hard hat" sketchbook drawing by Marshall

Marshall self-portrait?

One interesting thing about seeing items from the Kerlan was seeing the different scales that artists worked at, and how they used a page. Alice and Martin Provensen worked at vastly different scales, and their use of ink and their ability to crowd so much storytelling into a small space was amazing.

Alice and Martin Provensen. Author of this blog post's hand floating over the artwork to show scale

"The Year of Mother Goose" by Alice and Martin Provensen. Ink on vellum?

I'm fascinated by the Provensen's story of collaboration in picture books, inspired by their jobs working as animators. According to an interview Alice did with Leonard Marcus they worked in the same space with their drawing tables back-to-back. "If you weren't satisfied with a drawing and didn't know what to do next the other person could help you along. Of course, it had to be the right person, one who understood what you were trying for." She continued, "We were a true collaboration. Martin and I really were one artist."

The Kerlan has a small Maurice Sendak collection, also of very small drawings, most of them for A Hole is to Dig and I'll Be You and You Be Me.

Aliki is one of my favorite illustrators, partially because she seemed to allow herself to experiment so much with materials and style. I'm fascinated generally with how technology was explained to children over 50 years ago, and Computers at Your Service (1962) does not disappoint in terms of the utopian promise of computers' impacts on everyday life.

A typical cart loaded with preliminary materials I requested

There was so much more that I saw that's not in this post, and I encourage everyone who makes picture books to visit the Kerlan Collection, or to see if there's an open-access children's literature research collection (CLRC) near you.

If you want to see additional materials I photographed from the Kerlan I archived some pieces through an Instagram story (you’ll need to log in to see it). You may also want to read a blog post I wrote for the University of Minnesota Libraries blog What an archive reveals about the life and process of a children's book creator which is, in a way, a tribute to James Marshall and a look at his work and him through his sketchbooks.


K-Fai Steele writes, draws, and lives in San Francisco. She has three books coming out in 2019. Noodlephant by Jacob Kramer (Enchanted Lion Books) is launching at ALA Midwinter 2019 in Seattle followed by a west coast tour. Follow her on instagram (@areyouokfai).
A Normal Pig is her author/illustrator debut (Balzer + Bray/HarperCollins Childrens, June 2019).

She's also illustrating Old MacDonald Had a Baby by Emily Snape (Feiwel & Friends/Macmillan, Fall 2019).

Saturday, January 12, 2019

A Short Guide to Book Launch Parties

Book launches are on my mind right now, as I am preparing for the book launch for my second book, and so I thought I'd put together a quick post about what happens at a typical book launch.

1. Scheduling your book launch, when, where and how

Do I have to schedule my own book events? Yes, most likely you will arrange your own events. Sometimes you'll have a publicist who can help you schedule your launch or at least get you contact information, but generally you'll be reaching out yourself.

Most authors and illustrators will have their book launches at a local indie bookstore. Contacting a bookstore when you are a debut author can seem intimidating, but it's actually a very simple process. You can stop by in person and introduce yourself and inquire about hosting a book launch, or you can simply email them! For those of you wondering what to say in your email, something like this generally does the trick:

Hi, I'm a local author/illustrator and I have a picture book, TITLE, coming out on (date) from (publisher.) I wanted to inquire about scheduling a book launch at your store. Do you have any availability during (this date range)?

I also include the cover image, description of the book pulled from my publisher's website and the ISBN.

Don't have a local bookstore? Try your local library. Most libraries have a meeting room that you can book, often for free. The downside is that you'll have to sell your own books, but it's a good option for those who don't live near a bookstore.

When should you have your book launch party? Generally within a week of the book coming out, if possible. You want to make sure it's close enough to the release date that your friends and family won't have already gone out and bought the book somewhere else. Book launches can be hosted on a weeknight evening or on a weekend day. Since the main attendees will be your friends and family, consider when they'll be able to attend. If you know mostly families and kids, a weekend event might work best. If you're mostly friends with adults, a weeknight might be ideal.

Should you have multiple book launch parties? Some authors and illustrators want to have multiple events at various bookstores, which is fine, if you think you can attract an audience to more than one event. But check with the first bookstore to make sure that your second event is not in competition with your first. If you schedule too many events too close together in time and geographical area, the first bookstore might think you are drawing away potential sales.

Now invite your family and friends! Create a Facebook event, send out an evite, an email, post on social media - all of those are options to get the word out. Create a simple little graphic that you can use to post on social media. It doesn't have to be fancy, but a tip: rectangular works best on Facebook and Twitter. Here's mine, that I created while at my day job using MS Paint. I was serious when I said it doesn't need to be fancy.

2. What happens at a book launch?

Book launches can be as simple or as complicated as you want, but most book launches seem to have the following elements:

Book reading (of course)

Snacks! (optional, but everyone seems to have snacks). Some authors and illustrators will have themed snacks, like these snake-shaped cookies from Kathryn Dennis' book launch for SNAKES ON A TRAIN:

Q & A, or talking a little bit about the inspiration behind the book or showing process

Book signing!

3. Optional book launch activities

Many authors and illustrators will incorporate some other activity into their book launch. Some ideas include:
  • Trivia (have a book about an animal? how about some trivia questions about that animal?)
  • Giveaways of prints or artwork (you can hand out raffle tickets or give them out as prizes for trivia)
  • A quick craft related to the book (just make sure to tell the bookstore if you need a table for the craft, and make sure it's easy enough that it can be done by kids on their own - you'll be too busy signing books to run the craft)
  • Coloring pages to take home
  • Photo ops

At Kathryn Dennis' book launch for SNAKES ON A TRAIN, stuffed snakes were hidden around the bookstore that kids could find (and take home!)

Photo ops! Make a craft AND take a picture from one of my book events for QUACKERS:

Kelly Jones with a photo frame that you could pose with (and post on social media afterwards!) at her book launch for ARE YOU READY TO HATCH AN UNUSUAL CHICKEN?

4. SWAG!

Swag: is it necessary? No! Is it fun? Yes!

Some of the most common items I've picked up at book launches are bookmarks, buttons and stickers. Bookmarks seem the most desirable to bookstores and libraries, stickers are the most coveted by kids, and while I love buttons, they do have sharp pointy bits that need to be kept away from the really little ones.

Buttons: fun but can be pointy!

Bookmarks acquired from various book launches:

Stickers from Kathy Dennis' book launch:

Some of my favorite places for getting swag made include for buttons and for bookmarks. I haven't gotten stickers made but these pictured above are from

For further book launch advice, see this excellent post by author and bookstore events host, Lish McBride:

Friday, January 4, 2019

Our Books: The 2019 Preview!

Happy New Year, it's 2019! Here is  sneak preview of all the titles to come from our KidlitArtists members this year. 13 members have 18 books coming out in 2019--and nearly half of those books are authored by KidlitArtist members as well. Check out the list below! 

We will update this post as more details and cover art becomes available.

Written and illustrated by Lisa Anchin
Apr. 2, 2019 from Dial/Penguin Random House

The Little Green Girl is no ordinary topiary. She dreams of visiting far off places and exploring the world beyond her garden’s walls. But for her gardener, Mr. Aster, the prospect of deviating from his daily routine–let alone leaving his beloved home–is unimaginable. Try as she might, the Little Green Girl can’t uproot herself and set off on her own. To realize her dream, she’ll have to find a way to show Mr. Aster that it’s possible to carry a bit of home with you wherever you go.


Brave Molly
Written and illustrated by Brooke Boynton Hughes
Spring 2019 from Chronicle Books

What do you do when no one can see your monsters but you? At first, Molly runs from them. But they follow her down the sidewalk, getting in the way when she tries to make a new friend, popping up unexpectedly out of shadows, and multiplying. Until finally...Molly faces her fears. Author-illustrator Brooke Boynton-Hughes delivers a modern classic in this moving adventure that honors everyday acts of bravery and the power of friendship to banish the monsters that haunt us.

Up, Up, Up, Down!
Written and illustrated by Kimberly Gee
May 7, 2019 from Penguin Random House/Putnam

From his first demand to be picked up and then immediately put down, opposites pop up all day long for this energetic boy. Breakfast is no, no, no, yes! At the sandbox, it’s make, make, make, break! And jumping into the pool goes from can’t, can’t, can’t, to can!

Little Muir's Song
Written by John Muir, illustrated by Ssie Ghahremani
August 2019 from Yosemite Conservancy

This book — written by John Muir himself — introduces the wonder season of the Sierras to little readers from the perspective of a young John Muir.


Take Your Pet to School Day
Written by Linda Ashman, illustrated by Suzanne Kaufman
July 2, 2019
from Penguin Random House

When pets show up with their kids at Maple View Elementary, it's total chaos! These animals have no respect for school rules, and every class quickly gets out of hand. But why did they show up in the first place? Who said they could come? Could it have been...the pets themselves? It turns out they just wanted in on the fun! Now, if they want to stay, they'll just have to behave....

Just Right: Searching for the Goldilocks Planet
Written by Curtis Manley, illustrated by Jessica Lanan
Jan 29, 2019 from Roaring Brook Press/Macmillan Kids

Do you wonder if humans are the only beings who wonder if they are alone in the universe? Our sun is a star. In the night sky are all kinds of stars, and orbiting those stars are planets like the ones in our own solar system. Could those planets have life like we do on Earth? Planet Earth is not too big, not too small, not too hot, and not too cold. It’s just right. Our very own Goldilocks planet. Follow a young girl as she learns about the wondrous search for another Goldilocks planet.
A Junior Library Guild Selection.

The Fisherman and the Whale
Written and illustrated by Jessica Lanan
May 14, 2019
from Simon & Schuster Books for Young Readers

A fisherman takes his son for a trip out on the water. When they encounter a whale entangled at sea, they discover a connection that transcends the bounds of species... and learn that their relationship with the sea is more complicated than they may have realized.

Finding Narnia: The Story of C.S. Lewis and his Brother
Written by Caroline McAlister, illustrated by Jessica Lanan
November 19, 2019
from Roaring Brook Press/Macmillan Kids

Jack (C.S.) Lewis and Warren Lewis weren't just brothers; they were best friends. Follow the childhood of the boy who grew up to write the Chronicles of Narnia in this picture book biography to follow Caroline McAlister's "John Ronald's Dragons" (2017.)

Cover art coming soon!

My Heart

Written and illustrated by Corinna Luyken
Jan 8, 2019 from Dial/Penguin Random House

Some days your heart is a puddle or a fence to keep the world out. But some days it is wide open to the love that surrounds you. With lyrical text and breathtaking art, My Heart, My Heart empowers all readers to listen to the guide within in this ode to love and self-acceptance.

Weird Little Robots
Written by Carolyn Crimi, illustrated by Corinna Luyken
Fall 2019 from Candlewick Press

In a new town with only the robots she creates for company, it only takes a little bit of magic to change everything for nine-year-old Penny Rose.

Cover art coming soon!

Written by Hayley Barrett, illustrated by Juana Martinez-Neal
April 2, 2019 from Candlewick Press

Inside the cozy house, a baby has arrived! The world is eager to meet the newcomer, but there will be time enough for that later. Right now, the family is on its babymoon: cocooning, connecting, learning, and muddling through each new concern. While the term “babymoon” is often used to refer to a parents’ getaway before the birth of a child, it was originally coined by midwives to describe days like these: at home with a newborn, with the world held at bay and the wonder of a new family constellation unfolding. Paired with warm and winsome illustrations by Juana Martinez-Neal, Hayley Barrett’s lyrical ode to these tender first days will resonate with new families everywhere.

Fry Bread
Written byKevin Noble Maillard, illustrated by Juana Martinez-Neal
October 22, 2019 from Roaring Brook Press/Macmillan Kids

Description and cover art coming soon!

I'm Worried
Written by Michael Ian Black, illustrated by Debbie Ohi
June 4, 2019 from Simon & Schuster Books for Young Readers

Potato is worried. About everything.

Because anything might happen.

When he tells his friends, he expects them to comfort him by saying that everything will be okay. Except they don’t. Because it might not be, and that’s okay too. Still, there’s one thing they can promise for sure: no matter what happens…they will always be by his side.

I Am a Thief
Written by Abigail Rayner, illustrated by Molly Ruttan
Fall 2019 from NorthSouth Books

Description and cover art coming soon!

Are Your Stars like My Stars?
Written by Leslie Helakoski, illustrated by Heidi Woodward Sheffield
Fall 2019 from Sterling

Description and cover art coming soon!

A Normal Pig
Written and illustrated by K-Fai Steele
June 2019 from Balzer + Bray/Harpercollins Childrens

Pip is a normal pig who does normal stuff: cooking, painting, and dreaming of what she’ll be when she grows up. But one day a new pig comes to school and starts pointing out all the ways in which Pip is different. Suddenly she doesn’t like any of the same things she used to . . . the things that made her Pip. This charming picture book celebrates all our differences while questioning the idea that there is only one way to be “normal.”

Cover art coming soon!

Written by Jacob Kramer, illustrated by K-Fai Steele
Jan 2019 from Enchanted Lion

NOODLEPHANT is a story about an elephant and her friends who band together to overthrow the kangaroos that run their town. It’s about who makes the rules, and who must break them. It’s about noodles and revolution, laws and lasagna.

The Goose Egg
 Written and illustrated by Liz Wong
Jan 22 2019 from Penguin Random House

Henrietta likes her quiet life. A morning swim, a cup of tea–all is serene. But everything changes when she bumps her head and winds up with a goose egg–a REAL goose egg. Henrietta tries to return the baby goose to the nest, but her flock has flown. It’s up to Henrietta to raise her.

Goose isn’t anything like Henrietta. She’s flappy, and noisy, and exhausting. But Henrietta raises that goose right. She teaches her to swim, and to honk, and to fly. When Goose flies off with the other geese, Henrietta is so proud!

And then . . . lonely. How quiet her life feels now.

But the love you give has a way of coming back to you. And Henrietta has a wonderful surprise in store. . . .

 Written and illustrated by Andrea Zuill
March 26 2019 from Schwartz and Wade/Penguin Random House

Sweety is awkward, even for a naked mole rat. She has protruding front teeth, thick glasses, and some very unusual hobbies, including interpretive dance and fungus identification. She’s intense and passionate–and her peers don’t always get her. But surely there are other mushroom lovers out there? As Sweety sets out to find them, she comes to realize–with a little help from her cool Aunt Ruth– that being Sweety is actually pretty awesome. With heart and humor and a whole lot of charm, Andrea Zuill delivers a story about learning to embrace everything that makes you you–and that’s something many kids are going to relate to.

Jessica Lanan was the recipient of the SCBWI mentorship award in 2011. She is the illustrator of THE STORY I'LL TELL (Lee & Low, 2015) and OUT OF SCHOOL AND INTO NATURE: THE ANNA COMSTOCK STORY (Sleeping Bear Press, 2017.)

Her first book as an author and illustrator, THE FISHERMAN AND THE WHALE, will be published by Simon & Schuster in 2019.

Other upcoming books include:
  • A KID OF THEIR OWN (Charlesbridge, spring 2020)
  • LOST (Roaring Brook, 2020)
instagram: JessicaLanan
twitter: @jalanan