Monday, August 28, 2017


My Friend's Books

Featuring Zoey Abbott

by Alison Farrell

Early this spring, my critique group held a tiny retreat at a beach house.  We had one assignment: to bring our favorite books to share.  Throughout the three days, we intermittently mulled through stacks and stacks of books.  The stack that each person brought offered a key to their history and interests, and about what made them tick as artists. This experience was so delightful and rich that it made me think of offering the sharing here.


So I asked my friend Zoey Abbott to pick three of her current favorite illustrators and to break down what it is that she loves about them.  


Zoey is the illustrator of Twindergarten (Harper Collins, July 2017), written by Nikki Ehrlich, and Finn's Feather (Enchanted Lion, April 2018) written by Rachel Noble.  


Here are Zoey's picks:






Yann Kebbi

How do you get the final art to retain the magic of the first sketch?  It’s something many of us struggle with.  I think this is what I like most about Yann Kebbi’s work.  His line retains all the energy and emotion of that first touch.  You can tell that he has sophisticated technical skills in drawing, color, and composition but he employs those in a loose and dynamic way to tell his stories.  His illustrations always feel as if they are in motion.





I like how she uses color/value to serve the story and the metaphor.  There is something both playful and funny yet very serious about her stories and the way she illustrates them. My favorite books of hers are La Visite de Petite Mort (A Visit From LIttle Death) and Le Petit Homme et Dieu (The Little Man and God).  Crowther explores big questions of life in such a humorous way.  Like a good poem, her stories leave you with a feeling you have cracked open another view on reality.  I love her combination of bright and soft colored pencil with distinct areas of dark blacks and grays.  Sometimes she layers these darks over lighter colors so there is a vibrant glow.  The swaths of dark serve to anchor her characters, environments and compositions.  Her work feels both magical and familiar.

P.S. Dear God (or Enchanted Lion Books), please translate these stunning books into English! Sincerely, Zoey


I love how she is able to combine sketchy lines and mark making with what I think is photoshop color.  She makes the color feel very natural and integrated.  Her limited palettes unify complex worlds which are chock-a-block with odd and charming characters and objects.  Personally, I have never had any luck making satisfying digital color.  How does she do it?  Perhaps it's the way she overlays pencil texture over the color?  Again, I wish her work were translated into English.




Who are your favorite illustrators and why?  I'd love to hear from you!  


Many thanks to Zoey Abbott at www.zoeyink.com for contributing!!!  

................................................................

Find Alison Farrell's portfolio at www.drawdrawdraw.com
Keep an eye out for Alison Farrell's debut picture book Cycle City (Chronicle, 3/20/18)!
Look for Drawn to Color at Sasquatch Books!




Monday, August 21, 2017

Master Studies of Picture Books

I learned about  Master Studies of Picture Books from awesome Arree Chung's Storyteller Academy class, and It was helpful to understand my favorite picture books.
I would like to share my studies of Good Night, Gorilla , Little Blue Truck and Where the Wild Things Are.  Hope you enjoy and try for your favorite books too!



Title: Good Night, Gorilla
Words by: Peggy Rathmann
Pictures by: Peggy Rathmann
Year: 1994
Publisher: Putnam's Sons, Board Books



1. Characters : Gorilla, Zoo Keeper, His Wife, and Zoo animals
2. Location : Zoo and Zoo keeper's house
3.Time : Evening to Night
4. Problems : Gorilla opens doors of zoo gates.
5. ll/Esc* : All animals escape from their cages and go to Zoo Keeper's bedroom.
6. Resolution : Zoo keeper's wife walks back with the animals to their cages.
7. Concept : It satisfies children desire to sleep with their parents even though their parents want their children to sleep in their own room.

8. Successful : My son laughs when the wife finds out the animals sleep with her in the dark and he calls the wife, "Mommy'. and Zoo keeper, "Daddy." the pictures in the room shows relationship between the couple and animals which is like parents and children.

Beautiful lighting and color remind me impressionism. It scarifies one page with solid black.  Background sets in the picture also tells stories without words. - example, photos of baby animals on the wall. Female character takes care of the mess.  Little banana and mouse interaction is fun to watch. The book shows all animals in every pages even if they only show a part of their bodies.  My son loves finding a balloon, and he never gets bored. Gorilla is funny and he talks to readers with his gesture.
9. Unsuccessful : First, I thought Zoo keeper character is weak, but, I think the author mean to do that to make female character stronger character.




Title: Little Blue Truck
Words by: Alice Schertle
Pictures by:Jill McElmurry
Year: 2008
Publisher: Harcourt Children's Books




1. Characters : Blue Truck, Yellow Truck, Frog and Farm animals ( Cow, Chicken and etc)
2. Location : Farm
3. Time : Day time
4. Problems: Mean Yellow truck gets stuck in the mud.
5. ll/Esc : No one wants to help mean Yellow truck but Blue truck. Since Blue truck helps yellow truck, everyone helps Blue truck to rescue Yellow truck.
6. Resolution :Tiny frog pushes everyone and Yellow truck is rescued. ( I like the joke.)
7. Concept : Be good to everyone , then they will help you when you are in trouble.
8. Successful : Beautiful art brush strokes, character designs and funny frog's gestures. It shows how to help friends. Blue color of the truck is unique. ( It is not typical red.)
9. Unsuccessful : Typical story line and expected ending. It is little preachy.


Title:Where the Wild Things Are
Words by: Maurice Sendak
Pictures by: Maurice Sendak
Year: 2012
Publisher: HarperTrophy





1. Characters: Max, Mom and Monsters
2. Location: Max's room, Imaginary Monsters World
3. Time : Late afternoon to late evening.
4. Problems : Max misbehaves and he is angry with his mom.
5. ll/Esc : Max leaves home and went to imaginary world. Then he becomes a king.
6. Resolution : Max misses home and comes back. And dinner is waiting for him.
7. Concept : Max runs away from home and makes new cool monster friends who accept and admire Max's misbehaving. But he learns that he misses his  mom and comes home.
8. Successful : The story satisfies children's ego. They want to be free. The soup replaces Mom character in the picture. I am glad that there is not a single picture of mom. It is not too preachy and tells the story from children's point of view. Strong beautiful wild monsters designs,and unique layout are successful. Why max is wearing a costume? I think this is the most successful element because it created iconic character in the picture book history.
9. Unsuccessful : I can't find any.

II* = Inciting Incident (The event that starts the story.)
Esc = Escalation (How one event causes a bigger event that causes another bigger event.)




See more of Sansu ( Sungyeon)'s work on her website, Facebook, Instagram, Etsy, Pinterest, Twitter, or Amazon author page.

Friday, August 18, 2017

What can you do if your artwork is copied?

Several friends have asked me to blog about copyright issues I experience, so here goes. Copyright is a subject I write / talk a lot about, because protecting my artwork has become a big part of my life.

What can you do if your artwork is stolen, copied, or misused?

Answer: Dust yourself off, educate yourself, and get ready to fight for your art.

Like it or not, get ready to defend your art if you have to.

As an independent artist, I also develop a collection of products -- and between both that and my publishing projects and books, I've seen my artwork reproduced and misused. A lot. Sometimes I see it for sale as an unauthorized copy online. Sometimes I see it in a store in the mall. Being copied sucks, but I fight it and stand up for myself, and hope if you're in this situation, you will do the same.

At this point, every day of the year, I fight copies of my work at the hands of corporations and companies that use my artwork without permission and profit off it. I file hundreds of takedown notices, I register my copyrights, and I do it all myself -- and you can, too.

If you've been ripped off -- by a company or even another artist who plagiarized your work -- I am so sorry. It's a horrible feeling. Here's what you can do:

1. Be vigilant. Keep an eye out for copies of your work. Do reverse image searches of your art. Let artists know if you see copies of theirs. Ask your community to keep an eye out for you. Let them know you're ready to fight if you see a copy! Don't be complacent! And as a consumer, don't assume you're buying from the original artist just because it's on Amazon, Instagram, or Etsy (Look for the artist's copyright info!)

Seek authenticity! Look for the copyright info! And, make sure you copyright credit your own images and products.

2. If you've been copied, fight for your art. Lawyer up or file a DMCA takedown notice if you see exact copies of your artwork online or in stores. There is more information about how to do this in my links below, but it's something anyone can do (lots is possible without a lawyer's help!) I do not recommend communicating with a person or company that copied you without a lawyer's assistance.

This is basically what a DMCA notice looks like. You can find templates online.
But do not misuse this program! This form is for exact copies only, not for copies of general ideas.
3. Be an example for other artists, and a steward for your work. Register your copyrights with the US gov when possible. At $35 per registration, the costs can add up (I spent over $1000 on copyright registrations this week alone!), but your work is protected by different terms in federal courts when formally registered. Make sure your publishers register your copyrights. Do not do Work for Hire if you plan to retain ownership of your work.

All of my publishers copyright register my projects. They got ripped.
Having a formal copyright registration for each gave me a better position in a major lawsuit. Photo by Renée Chartier.

4. Help educate others. Educate the public, educate your peers. Be a positive example for your peers on how to stand up for yourself. Read about orphan works legislation that could negatively affect illustrators and advocate for artists. Support original art. Copying doesn't just hurt the artists who are stolen from -- and it does really traumatize and make an artist fearful of creating and sharing -- it also hurts the creative community by robbing it of distinctive voices and the ability to control quality and monetize one's creative work.

5. Support the artists you love who create original work. I've been a full time artist for 15 years now, and I don't know where I would be without the support of friends and fans through this harrowing aspect of being a professional artist. Sometimes fighting relentless copying kills my spirit and makes everything feel pointless. Support is important.

Support the artists you love, and encourage them. Help them afford their copyright registrations, help them fight against copies. Debbie's post about creative ways to support a kid lit illustrator / author is great!

Getting these gorgeous flowers in sympathy from my friends after I experienced a major infringement was an incredibly kind and supportive gesture that helped during a difficult time.

I've written extensively about the issue of art and copyright before, so here are a couple links to those posts for further reading:



I hope this helps, and I hope you never find out what this feels like.

But if you have a question, please feel free to leave a comment on this post and I'll respond when I can.

I am not a lawyer, but I know a lot about copyright because of my unfortunate experiences being copied. I will never stop fighting for my art! Please join me.


familiarize yourself with the work of artists you love so you can tell them if you see copies. 
A post shared by susie ghahremani/ boygirlparty (@boygirlparty) on


Susie Ghahremani is an award-winning illustrator and an advocate for artists.
Her author-illustrator debut titled STACK THE CATS was just named one of Amazon's Best Books of the Year (so far) for 2017!

For more about Susie and her books and art and her never-ending fight against copies, visit her site at boygirlparty.com or follow at @boygirlparty on instagramtwitter, or Facebook for the latest updates.

Thursday, August 10, 2017

Gratitude, behind the scenes at KidLitArtists, and exciting Instagram news - by Debbie Ridpath Ohi


KidLitArtists is now on Instagram! Thanks so much to Meridth McKean Gimbel for making that happen.

I can't believe it's been over SEVEN YEARS since the KidLitArtists.com blog launched. Whoa. It began when a group of us (John Deninger, Kimberly Gee, Ashley Mims, Andrea Offermann and Eliza Wheeler and me) were chosen for the SCBWI Illustration Mentorship Program in 2010.


The six of us met after our mentor sessions and compared notes, talked about how we could make the most of the opportunity generously given to us by the SCBWI Illustration Board.


I started a private a email list to help us keep in touch and exchange info as well as registering KidLitArtists.com domain. After coordinating with the other Class of 2010 Mentees, I launched our blog and Twitter account. This was what the original name and banner looked like (designed by Eliza Wheeler):

In addition to posting updates about our illustration projects, we also shared info about what we learned during our mentorship sessions as well as other tips resources and industry news of interest to children's book illustrators.

The SCBWI Illustration Board was so impressed by the blog that they asked if we could open it up to other Mentees, past and future. Of course we said YES! Eliza Wheeler came up with the banner above, using part of one of my bunny drawings. The mailing list was replaced by a private Facebook group, and we also started a public FB Page. Eliza organized the blog posting schedule, and each new class of Mentees picked a point person for group-wide orientation and communication.


Although I don't have as much time to be as involved behind-the-scenes at KidLitArtists as I used to, I still commit to posting to the blog a few times a year, no matter how crazy things get because I remain incredibly grateful to the SCBWI for helping to jumpstart my career back in 2010, and I want to give back in what way I can.

Meanwhile, I am also thankful to those SCBWI Illustration Mentees who have volunteered to keep things going behind-the-scenes despite their own busy schedules!

Nowadays, Jen Betton (Mentee Class of 2012) organizes the blog posting schedule (THANK YOU, JEN). To the left: A photo of Jen with her award certificate when she won the SCBWI New England Conference Portfolio Showcase in 2014.

Jen's debut solo picture book, HEDGEHOG NEEDS A HUG, launches from Penguin Putnam in Summer 2018....congrats, Jen! You can read her news in this blog post.

Jen's illustrations will also be appearing in TWILIGHT CHANT written by Holly Thompson, launching from Clarion in 2018. You can find out more about Jen and her work at JenBetton.com. Jen is represented by Jen Rofé at the Andrea Brown Literary Agency.



Our feed on Twitter, @KidLitArtists, is maintained by Ana Aranda (Mentee Class of 2014), Meridth McKean Gimbel (Mentee Class of 2015) and me. I love this photo of Ana Aranda:


Ana's illustrations can be found in picture books published in France and Italy, and her debut picture book in the U.S., THE CHUPACABRA ATE THE CANDELABRA (written by Marc Tyler Nobleman) was published by Nancy Paulsen Books/Penguin earlier this year. Get a peek at her book  here in this fun Let's Read Stories reading:



You can find out more about Ana and her work at Anaranda.com.

Meridth McKean Gimbel, who helps posts to our Twitter account, also recently launched our Instagram account (THANK YOU, MERIDTH!!!). Here's Meridth when she won a SCBWI-LA Illustration Mentorship award in 2015:



Meridth also shares all kinds of great info and insights on her own blog, like her "Putting Together A Dummy The Smart Way" post. You can find out more about Meridth and her work at MeridthMcKeanGimbel.com.  Meridth is represented by Linda Pratt of Wernick Pratt.



Others helping behind-the-scenes, including a gradual revamp of our blog and some of our social media include K-Fai Steele and Susie Ghahremani.



You can find out more about K-Fai and her work at K-FaiSteele.com:





Susie has several books out already, including her debut solo picture book, STACK THE CATS (Abrams Appleseed).


K-Fai, Susie and some of other Mentees are gradually revamping the KidLitArtists website and social media, so do keep an eye on this blog, Twitter, Facebook Page and Instagram!

----------

Debbie Ridpath Ohi is the author and illustrator of Where Are My Books? She has four new books coming out in 2017: Sea Monkey & Bob (Simon & Schuster),  Mitzi Tulane in The Secret Ingredient (Random House) Ruby Rose, Big Bravos(HarperCollins), and her second solo picture book Sam & Eva(Simon & Schuster). You can find Debbie on Twitter: @inkyelbows and Instagram at @inkygirl


Monday, July 31, 2017

Rejections - By Maple Lam

We have all experienced rejections. Maybe it’s a college application rejection. Maybe it’s a job rejection. Maybe it’s a relationship rejection. You and I both know rejection is not the best feeling in the world. You feel deflated, unwanted, not up-to-par, and all the other squeamish negatives all crunched in one bitter hardshell nut.



Our natural tendency is to avoid putting ourselves in the situation of being rejected. After all, who wants to be in the hurt?


But the world of traditional publishing is in essence an exercise in the rejection game. I don’t know any author-illustrator friends who has not been rejected regularly. We pitch ideas to agents; we send dummies to editors; we send art samples to art directors; we get rejections.


All. The. Time.



Maybe the idea turns out to be half-baked at best. Maybe the story is too similar to something the editor has recently acquired. Maybe the art style does not align with what the art director visualized. They are all very real, valid, and professional reasons. None of this is personal.


In fact, we learn from these rejections. We make better stories; we execute better artworks. Hidden within this really bitter hardshell nut is a delicious piece of dark chocolate.


The truth is, you only get rejections because you are willing to step out of your comfort zone to take risks. The more rejections you get, the more chances you are taking. It means you are another step closer to bullseye. Congratulations.



If it makes it easier, set your goals from the negatives. Aim to have 100 rejections next year. Create more. Learn more. Develop thicker skin. Take risks.


How afraid are you of being rejected?


Hopefully, if you are serious about being in this industry in the long run, the answer is: not so much.



But wait! Don’t get rejections for rejections’ sake!

Don’t go about mailing artworks and dummies to 100 random publishing houses just to meet your rejection quota! That would be a costly waste of everyone’s time. Get strategic rejections. Read as many picture books as you can. Learn the names of editors and art directors whom you believe aligned with your creative style. A good place to start such research is the annual catalogue published by the Society of Illustrators Original Art Show. It gives the names of the publishers, editors and art directors of the winning picture books of the year.



Good luck! May the KidLit Force be with you.


------------------------------------------------------------------------------------------------------------------

Maple Lam wrote and illustrated MY LITTLE SISTER AND ME (HarperCollins). Her next illustrated books: FRENEMIES IN THE FAMILY (Penguin Random House), written by Kathleen Krull, will come out Spring 2018. WHAT CAN YOU DO WITH A TOOLBOX? (Simon & Schuster Paula Wiseman Books) written by John Colarneri and Anthony Carrino, will come out Fall 2018.

Maple has a passion in history, art history, picture books and graphic novels. She is happily represented by Joanna Volpe at New Leaf Literary Agency. You can follow her work at: Website | Facebook | Twitter | Instagram


Monday, July 17, 2017

Reflections on the Illustrator Intensive- SCBWI LA 2017

One week ago I had the opportunity to attend the SCBWI Illustrator Intensive 
Constructing and Deconstructing Narrative Illustration. 
For an entire day, we were able to watch each of the talented artists/illustrators work as they
talked through their processes. I came away inspired. 

Ramón Hurtado started the day with a session on Narrative Figure Drawing. 
He demonstrated how he interacts with his model to create story in his illustrations. 
It was mesmerizing to watch him draw so effortlessly—a skill he developed over years and years of practice.

Ramón Hurtado















Vanessa Brantley Newton stressed the importance of children being able to see themselves
in the books we create. Her presentation on Character Design focused on how she designs children 
of different ethnicities using both digital and traditional painting and collage. She demonstrated
how she paints hairstyles, skin color and clothing patterns for her memorable, lovable, diverse characters. 
Her presentation was chock-full of humor, heart, inspiration and song. 

© Vanessa Brantley Newton























Leuyen Pham presented a session on Bringing Joy into Your Characters. She emphasized the 
importance of gesture and good design by first creating interesting shapes for your characters—adding details last. For the assignment part of the session, she analyzed and redrew characters drawn by the participants.
She talked through how they could be modified to make stronger characters. It was such a treat to see how
fast and confidently she drew while sharing concrete tips to remember.

© Leuyen Pham























Marla Frazee deconstructed the narrative Composition of picture books. She gave us insight into her thought process by analyzing one of her favorite picture books. It can, at times, take months for her to work out the pictures and emotional arc in her thumbnail sketches and dummy books. Marla emphasized the importance of working out the composition first and then getting to know the character. The ideas she presented gave us a better understanding on how to work out thumbnails and dummies—tips I am excited to try out for my own stories.
Marla Frazee
























John Rocco, master of Dramatic Light, stepped us through his process of how he chooses his lighting and color to evoke specific emotions. He likened the creator of a picture book as being similar to a director of a film. The tools used such as shadow and silhouette,  high and low contrast, shallow or deep perspective set the emotional journey for each of his books. He not only reviewed the basics of light and shadow on form, but added some new tips on how to plan a scene using dramatic lighting. 
© John Rocco























Raúl Colón focused his presentation on Color. He shared his journey of exploration on how he experimented with different media to discover his distinct style of illustration. Along with informative demonstrations, he also shared his sketchbooks with all of his color studies. He encouraged participants to look at other artists work for inspiration but not be derivative. He stressed the importance of playing with color and trying out new techniques to keep things fresh. 
© Raúl Colón 

Javaka Steptoe demonstrated his Mixed Media process of how he created the images for the Caldecott winning book, Radiant Child. As he spoke, it was apparent that his choices for tools, materials and style were based on his intuition, passion, understanding of the the subject and his own experiences. At the end of the day, we were all guided to create a collage that had personal meaning on where we are in our own artistic journey.

© Javaka Steptoe
























It was an incredible day. I want to thank all of the Illustration Committee at SCBWI: Peter Brown, Priscilla Burris, Pat Cummings, David Diaz, Laurent Linn, Cecilia Yung, and Paul O. Zelinsky. A special thanks too to Sarah Baker for permission to blog about the special day. If you have never been to an Illustrator Intensive, I would highly suggest attending next year. You too will be inspired.

Dorothia 

~Dorothia Rohner illustrates and writes stories for children about nature,  magic of imagination and humor.
Website: www.dorothiarohner.com
Represented by: Alice Tasman- JVNLA.com
Twitter: @dorothiarFacebook: https://www.facebook.com/dorothiarohner.illustrationInstagram: @dorothiar
Author of  "I Am Goose!" To be illustrated by Vanya Nastanlieva (Clairon 2019)