Showing posts with label Illustrator Intensive. Show all posts
Showing posts with label Illustrator Intensive. Show all posts

Monday, July 17, 2017

Reflections on the Illustrator Intensive- SCBWI LA 2017

One week ago I had the opportunity to attend the SCBWI Illustrator Intensive 
Constructing and Deconstructing Narrative Illustration. 
For an entire day, we were able to watch each of the talented artists/illustrators work as they
talked through their processes. I came away inspired. 

Ramón Hurtado started the day with a session on Narrative Figure Drawing. 
He demonstrated how he interacts with his model to create story in his illustrations. 
It was mesmerizing to watch him draw so effortlessly—a skill he developed over years and years of practice.

Ramón Hurtado















Vanessa Brantley Newton stressed the importance of children being able to see themselves
in the books we create. Her presentation on Character Design focused on how she designs children 
of different ethnicities using both digital and traditional painting and collage. She demonstrated
how she paints hairstyles, skin color and clothing patterns for her memorable, lovable, diverse characters. 
Her presentation was chock-full of humor, heart, inspiration and song. 

© Vanessa Brantley Newton























Leuyen Pham presented a session on Bringing Joy into Your Characters. She emphasized the 
importance of gesture and good design by first creating interesting shapes for your characters—adding details last. For the assignment part of the session, she analyzed and redrew characters drawn by the participants.
She talked through how they could be modified to make stronger characters. It was such a treat to see how
fast and confidently she drew while sharing concrete tips to remember.

© Leuyen Pham























Marla Frazee deconstructed the narrative Composition of picture books. She gave us insight into her thought process by analyzing one of her favorite picture books. It can, at times, take months for her to work out the pictures and emotional arc in her thumbnail sketches and dummy books. Marla emphasized the importance of working out the composition first and then getting to know the character. The ideas she presented gave us a better understanding on how to work out thumbnails and dummies—tips I am excited to try out for my own stories.
Marla Frazee
























John Rocco, master of Dramatic Light, stepped us through his process of how he chooses his lighting and color to evoke specific emotions. He likened the creator of a picture book as being similar to a director of a film. The tools used such as shadow and silhouette,  high and low contrast, shallow or deep perspective set the emotional journey for each of his books. He not only reviewed the basics of light and shadow on form, but added some new tips on how to plan a scene using dramatic lighting. 
© John Rocco























Raúl Colón focused his presentation on Color. He shared his journey of exploration on how he experimented with different media to discover his distinct style of illustration. Along with informative demonstrations, he also shared his sketchbooks with all of his color studies. He encouraged participants to look at other artists work for inspiration but not be derivative. He stressed the importance of playing with color and trying out new techniques to keep things fresh. 
© Raúl Colón 

Javaka Steptoe demonstrated his Mixed Media process of how he created the images for the Caldecott winning book, Radiant Child. As he spoke, it was apparent that his choices for tools, materials and style were based on his intuition, passion, understanding of the the subject and his own experiences. At the end of the day, we were all guided to create a collage that had personal meaning on where we are in our own artistic journey.

© Javaka Steptoe
























It was an incredible day. I want to thank all of the Illustration Committee at SCBWI: Peter Brown, Priscilla Burris, Pat Cummings, David Diaz, Laurent Linn, Cecilia Yung, and Paul O. Zelinsky. A special thanks too to Sarah Baker for permission to blog about the special day. If you have never been to an Illustrator Intensive, I would highly suggest attending next year. You too will be inspired.

Dorothia 

~Dorothia Rohner illustrates and writes stories for children about nature,  magic of imagination and humor.
Website: www.dorothiarohner.com
Represented by: Alice Tasman- JVNLA.com
Twitter: @dorothiarFacebook: https://www.facebook.com/dorothiarohner.illustrationInstagram: @dorothiar
Author of  "I Am Goose!" To be illustrated by Vanya Nastanlieva (Clairon 2019)

Thursday, May 14, 2015

Character Bibles - Discover Your Story

One of my favorite speakers last summer at the 2014 SCBWI LA Conference
was the amazingly talented, inspiring and funny lady: Judy Byron Schachner.

(Author and Illustrator of the popular SkippyJonJones Books)

The name of her talk was: Thinking in Pictures: My Storytelling Process. 
She shared with us how she finds the story by creating a character bible for her books:  


 
 
The example character bible she presented was from her new book
Dewey Bob, Dial Books for Young Readers (Available September 8, 2015)

The basic concept is to discover your story and characters by collecting:
  • reference photos
  • sketches
  • unusual ideas
  • sayings
in a:
  • random
  • non-linear
  • no rhyme or reason
sort of way.

This process appealed to me because I am a non-linear thinker. Through experimentation and by collaging different illustrations, ideas and design elements together, the characters and story evolve visually.  

I couldn't wait to get home to get started on one of my own manuscripts. I experimented with many different techniques and styles so that I could discover the characters and setting that fit with my story.
Below are some of the images from the pages from my character bible for I AM Goose!

Choose any size sketchbook. This is a  6"x 8" sketchbook. Next time I'll use a larger one.
I filled it up and ran out of room so ended up using paperclips and extra pockets to fit all the sketches.


I tested out lots of different styles and techniques for Goose.
I made notes on the medium used and jotted down what was working and what was not.


 More sketches and test palette for Rabbit, Pig, Dodo, Chicken, Squirrel and Pig.

  Color sketches with more of the characters. 


 I clipped out old photos of old buildings, sample palettes and played
with sketches and washes for the setting.

These are some of the pencil sketches for the characters. 


This has been a great learning process for me. My tendency is to finish off every detail in an illustration. But when I look back through this character bible, I realize that the loose sketchy images are my favorite. My next step will be to finish the storyboard, dummy book and final art to get it ready for submission.
Thank You  Judy Schachner for sharing your process at the 2014 SCBWI LA Conference. 
 
Dorothia Rohner enjoys illustrating and writing 
stories for children that combine nature and the magic of imagination.
Twitter: @dorothiar
Instagram: @dorothiar