Showing posts with label illustration. Show all posts
Showing posts with label illustration. Show all posts

Monday, January 27, 2020

Finding your Niche as an Illustrator - by Rob Sayegh Jr


Let’s not kid ourselves, it is really hard to find a way into the children’s publishing world. Through the SCBWI, mentorships, workshops, and basic trial and error, I have learned the steps to take to begin a career in children’s books. The harder part was to find how I could authentically embed my personality, style, and vision into my journey.

I love the moment when I realize why and how I am going to create something by exploring new possibilities within my creative process. It wasn’t until about a year and a half ago I was able to move past this idea of being stuck by anchoring myself to three things I felt extraordinarily passionate about. These three values now guide every piece of artwork that I show to an art director, my agent, my family, and social media. My guiding values help me translate how my process and experience from work that reflects who I am on and off the paper.

I found my guiding values by creating three circles in a Venn diagram, broken down into the three categories that make every great author/illustrator identifiable: genre, artistic style, and subject matter. I hoped to establish a baseline from which I could critique my work. I wanted to learn how each piece interacted with the diagram to remind myself to genuinely represent who I am in my work.

For each of the three circles, I didn’t think about marketable or trendy answers that paralleled today’s book lists. Instead, I thought about what I enjoyed creating and reading. It was very liberating to think this way. It was also the best way to get projects that matched my passions. Now, an art director might think that I would be the perfect candidate for a project because of what shows through in my portfolio. It was scary to define myself because it meant that there would be a lot of work that would not fit my niche. But sometimes, turning down the wrong project for me is for the best.

Below is a look into my thought process and what I made of the Venn diagram.

Genre:

What picture books YA novels do you love to read?

I adore funny and witty picture books. Jared Chapman, John Bond, Bob Staake, Dav Pilkey, and of course, the authors of the most fabulous horror book about a bunny ever written, Bunnicula by Deborah and James Howe I internalize stories and illustrations best as a reader when I laugh the cleverness of a joke or all the layers behind a good punchline. Whether a New Yorker cover or a silly advertisement, I appreciate the skill it took to create such a compelling story. It inspires me to show more layers in my work. I am experimenting with new ways to show that side of me.

My answer: Funny stories that appeal to both kids and their parents


Artistic Style:

How do you create your work? Who are your favorite illustrators?

This was the most challenging circle in my Venn diagram. The question that helped me the most was, “can I do this for 12 hours a day, every day?” I am not a detailed illustrator. I am not someone who loves spending days or weeks on a single image. I know what I liked as a viewer. Both as a child and today, I can stare at an Ezra Jack Keats or an Eric Carle book for hours. The simplicity and texture of each component on the page blow me away. Keats and Carle will always be who I aspire to be as an artist.

While I was creating the Venn diagram, I was also beginning to experiment with the idea of taking pictures of textures to use in my work. I would take photos on my commute from my job to my home in NYC on my phone to inspire my drawings that night. I didn’t exactly know how it was going to work out, but I loved the idea of bringing something personal to my illustration work.

My answer: Simple shapes and textures.


Subject Matter

What do you love to draw?

I would imagine this is the easiest question to answer for most artists. I think every illustrator has that one thing they love to draw. For me, it is dogs. I am DOG-OBSESSED. It’s something my friends and family know about me but also is something I love sharing about myself. I have two dogs and a dream of owning three more. I’ve worked at a dog toy company, and cannot pass a dog on the street without saying hello.

I used to always draw dogs, but I never paired the illustrations with textures, shapes, nor humor. They were just dogs on the page. There was no consistency. My challenge was to tackle all three parts of the diagram, simultaneously.

My answer: Dogs and animals (anything cuddly)

The Outcome



Once I had three giant circles in my notebook that said “funny, simple shapes and textures, dogs (and other cuddly creatures),” it was very easy to see the holes in my portfolio. Not one of my pieces held all three elements, which for me meant I was not putting out my best work,

The three circles became my mission statement. I still refer back to the statement as I create new pieces of personal illustration, promos, and client work. I needed to create a lot of new work for my portfolio,.I truly believe that the new work I have created since my Venn diagram has helped me find new client work through my rebranding journey.

What I have found is when I consistently push elements of who I am through my art, the easier it is for someone to get a sense of what I represent and why. It has been easier for me to pitch my work coherently and concisely. I don’t feel as bad when I don’t get a project because I know it wasn’t the best fit.

The diagram has also made me much more productive because I no longer struggle with how or what to start creating. My habits formed around what I love most, and I continue to build new techniques and understanding of my three anchor points. Where they have limited my focus, I feel they have allowed me to grow much further. The result is a richer, more engaged base and a professional community that has opened many doors for me.

I create more personal work that becomes part of my portfolio than ever before. On top of that, I am having more fun with all aspects of my author and illustration career because my passions weave through every step of my process.

Attached is a Venn diagram you can download and use for your reference. I hope this diagram helps you as much as it helped me.







Here are some of my pieces that represent my mission statement:























Rob Sayegh Jr is a former toy designer turned author and illustrator of children’s books. A 2019 SCBWI Mentee Award winner, Rob’s clients include Scholastic, Abrams, HMH, and more. Rob is represented by Justin Rucker of Shannon Associates.

You can see more of Rob’s work at www.robsayart.com and @robsayart on Instagram and Twitter.

Monday, July 1, 2019

Quick Study Warm-up Exercise



Learning to see how other artists draw is a favorite past-time for me. As I look and discover the way a line is drawn or shaded, it always inspires me to pick up a pen and try to mimic the manner that it was created. For these studies, I used a Zebra ball point pen. 



Usually, I grab my closest sketchbook, a napkin or a random piece of paper and draw. But, I’m trying to become more deliberate by putting them into one folder. This way I can look back and see which artists I admire and the studies I created.  








By studying the way that other artists work, it helps to understand why they made the choices that they did. And it opens up the creative flow for an enjoyable warm-up. 

If you sketch from another artists work--

➽➽ALWAYS give credit to the artist.






Since it is a warm-up session, I’m not concerned with completing an entire illustration. My focus is on small details, shading, line variance, expression, etc. 


Maurice Sendak is one of my favorite illustrators to study. His line work is masterful.  When I was redrawing the coat of the old man,  I realized that the pattern goes through the whole coat. He didn’t change the direction of the lines where the arm is. AH-HA moment! Discoveries like this help me to simplify my own work so I don’t get fussy about making sure the fabric wraps.


(The Big Green Book- Robert Graves- Illustrations-Maurice Sendak & Little Bear’s Friend- Else Holmelund Minarik-Illustrations Maurice Sendak)













The next studies from are from:


















Sophie Blackall- I love the expressions of her children. (Sinister Goose by Lisa Wheeler)

Robert Lawson- The line work is expertly bold yet tender and precise. (The Story of Ferdinand by Munro Leaf)


Irene Haas - The playful lines  are minimal on the faces, but show such wonderful expression. (♫A Cat Came Fiddling adapted and made into songs by Paul Kapp)



I hope this was helpful and that you try a warm-up study for yourself.

If you do: take a snap and post it. 
➽Tag me on twitter or IG: @dorothair  

I’d love to see what artists you admire and the studies you create.
Next time I post, I’ll be interviewing Vanya Nastanlieva
She illustrated my manuscript I Am Goose! 
(Clarion Books, Houghton Mifflin Harcourt, Feb, 2020) 

AVAILABLE FOR PREORDER:





I invite you to visit my website to view the 
You can also sign up for book updates.

And. . . I'm excited to share that I'll be rolling out a short, monthly newsletter at the end of the year. It will focus on taking moments to live a creative life.
It's for artists, writers, kids, moms, dads and anyone who wants to ignite that little spark of creativity in their lives. 

★ Sign up now for Creative Moments- Creative Life Newsletter ★ 





 Dorothia Rohner enjoys illustrating and writing stories for children that combine nature, humor and the magic of imagination.

Author: I Am Goose! (Clarion, 2020)
Twitter: @dorothiar
Instagram: @dorothiar

IG  & Twitter: @perfect2020pbs


Thursday, December 6, 2018

Our 2018 Books! (Year-end Review)

This year was full of fantastic books from the KidLit Artists! We had 17 artists with 23 books. Here is a look at the titles that came out in 2018 - making great gifts for little or big readers! 


ANA ARANDA
Our Celebración
written by Middleton Elya, illustrated by Ana Aranda
It's a sunny summer day. Come join the crowd headed for the parade! Marvel at the people riding motorcycles, bicycles, tricycles, and unicycles. Clap to the music as bands of musicians playing clarinetes, saxophones, flautas, trumpets, and drums march by. At night marvel at the sparkling fireworks. Pop, pop, pop! ¡Bón, bón, bón! A NCTE Notable Poetry Book.
Available to order here

JEN BETTON
Hedgehog Needs a Hug
by Jen Betton
When Hedgehog feels down in the snout and droopy in the prickles, he knows a hug will make him feel better. But none of his friends are eager to wrap their arms around Hedgehog's prickles, and he's too smart to fall for Fox's sly offer. Then to his surprise, Hedgehog discovers another animal who is feeling exactly the same way.
Available to order here

JEN BETTON
Twilight Chant
written by Holly Thompson, illustrated by Jen Betton
As day slips softly into night, sharp eyes catch glimpses of the special creatures who are active at dusk. Melodic text captures the richness of the animal life that emerges in the low light. A picture book that will inspire budding naturalists and anyone who has ever chased a firefly in the twilight. A NCTE Notable Poetry Book.
Available to order here

MAPLE LAM
Frenemies in the Family
written by Kathleen Krull, illustrated by Maple Lam

They blame you when they get in trouble. They seem like your parents' favorite. They are the only enemy you can't live without. Almost everyone has a juicy story about their siblings–even famous people. Meet those who got along, those who didn't, and everyone in between! Middle grade novel.
MAPLE LAM
What Can You Do With A Toolbox?
written by John Colaneri & Anthony Carrino, illustrated by Maple Lam
A hammer. Nails. A screwdriver. How do we use them? Discover all the exciting things you can build with a toolbox, and at the end how all the pieces fit together to make something special.
Available to order here

MAPLE LAM
Where is the Treasure? 
寶藏在哪裡?
by Maple Lam
A young bear and his grandfather explore Taipei together in a day-long treasure-hunt, delighting in many experiences and overcoming fears along the way to a glorious high-rise surprise.
Available to order here

BROOKE BOYNTON HUGHES
Bark Park 
written by Trudy Krisher, illustrated by Brooke Boynton-Hughes
Welcome to Bark Park! There are dogs running and dogs relaxing, dogs riding and dogs sliding – all before returning home to bubble baths, cozy dog beds, and sweet dreams of – what else? – being back at the park!
Available for pre-order here

ALISON FARRELL
Cycle City
by Alison Farrell
When little Etta the Elephant goes to her Aunt Ellen's house, she takes a journey through bicycle-filled Cycle City, a town filled with bikes of all kinds! At the end of the day, a special surprise awaits Etta – the most amazing bicycle parade imaginable.
Available to order here

The perfect bedtime book for young soccer fans. From the opening kickoff to the final goal, a young girl says goodnight to her most beloved sport: soccer.
Available to order here

KIMBERLY GEE
Mad Mad Bear
 by Kimberly Gee
Bear is very, very, very MAD! Will he ever feel better? A little bear learns to cope with his frustrations in this sweet and silly book about toddler tantrums.
Available to order here

SUSIE GHAHREMANI
Balance the Birds
 by Susie Ghahremani
A sequel to the popular Stack The Cats counting book, Balance the Birds is about balance and relative size. When birds spot a tree and decide to land on its branches, the readers can help them find the perfect balance. This book introduces key early math skills for toddlers.
Available to order here

NICHOLAS HONG
Meddy Teddy: A Mindful Yoga Journey
 written by Apple Jordan, illustrated by Nicholas Hong
Say namaste to Meddy Teddy, a rising star in the yogi world. Meddy practices yoga poses as he emerges from hibernation, greets the springtime, and mindfully gets through a variety of situations.
Available to order here

SUZANNE KAUFMANN
100 Bugs! A Counting Book
written by Kate Narita, illustrated by Suzanne Kaufmann
How many bugs can you count? From walking sticks to spittlebugs, dragonflies to katydids, discovering 10 bugs at a time, you just might see 100 bugs!
Available  to order here

SUZANNE KAUFMANN
All Are Welcome
 written by Alexandra Penfold, illustrated by Suzanne Kaufmann
Follow a group of children through a day in their school, where everyone is welcomed with open arms no matter their race, religion, or background. A school where it is normal to wear a hajib, learn a Vietnamese dance and witness a Dragon dance for Lunar New Year. A New York Times bestseller!

available for pre-order here

CORINNA LUYKEN
Adrian Simcox Does NOT Have a Horse
written by Marcy Campbell, illustrated by Corinna Luyken
Adrian Simcox tells anyone who will listen that he has a horse – the best and most beautiful horse anywhere. But Chloe does NOT believe him. The more Adrian talks about his horse, the angrier Chloe gets. But when she calls him out at school, Chloe doesn't get the vindication she craves. She gets something far more important. A Junior Library Guild Selection, and Top 10 Indie Next pick.
Available to order here

JUANA MARTINEZ-NEAL
Alma and How She Got Her Name /
Alma y cómo obtuvo su nombre
by Juana Martinez-Neal
If you ask her, Alma Sofia Esperanza José Pura Candela has way too many names: six! How did such a small person wind up with such a large name? Alma turns to Daddy for an answer and learns of all her namesakes, and as she hears the story starts to think her name might be the perfect fit after all. The Spanish version launches simultaneously. School Library Journal Best Books, NCTE Charlotte Huck Award, Original Art Show Selection, New York Public Library Best Books.

Available to order here
Available to order here

 written by Nancy Tupper Ling, illustrated by Andrea Offermann
When a fearsome dragon takes over their village bridge, twin sisters have opposing views of how to fix the problem. This empowering sibling story is about celebrating differences and how they can make for a powerful team. 
DEBBIE OHI
I'm Sad
 written by Michael Ian Black, illustrated by Debbie Ohi
A girl, a potato, and a very sad flamingo star in this sequel to I'm Bored. Everyone feels sad sometimes – even flamingos. Sigh. When Flamingo announces he's feeling down, his friends try to cheer him up, but nothing seems to work. Not even dirt! (Which usually works for Potato)...
Available to order here

DEBBIE OHI
The Creativity Project: An Awesometastic Story Collection
 edited by Colby Sharp, contributed to by Debbie Ohi (and others)
Colby Sharp invited more than forty children's authors and illustrators to provide story starters for each other; photos, drawings, poems, prose or anything they could dream up. They responded to the prompts by transforming these seeds into any form of creative work they wanted to share! A section of story starters provides inspiration for readers to create works of their own.
Available to order here

ELIZA WHEELER
Fairy Spell: How Two Girls Convinced the World 
that Fairies are Real 
 written by Marc Tyler Nobleman, illustrated by Eliza Wheeler
The true story of British cousins who fooled the world for more than 60 years with a remarkable hoax, photographs of "real" fairies. A delightful historical account blending the actual photographs with Eliza Wheeler's evocative illustrations.
Available to order here

BRIAN WON
Good Night, Little Monsters
 written by Kara Lareau, illustrated by Brian Won
Watch little monsters go about their bedtime routines, as Frankenbaby lays down his green head, loosens his bolts and is tucked into bed. Lochnessie is assured of swimming when awake, and snuggles close in the deep cool lake.
Available for pre-order here

ANDREA ZUILL
Marigold & Daisy
by Andrea Zuill
Even snails can feel jealous over a new baby! Marigold realizes that her new sister Daisy must be an evil genius, capable of mesmerizing everyone. They even think her pooping is cute! Just when Marigold reaches her breaking point, she discovers that Daisy's amazing skills may come in handy after all.
Available to order here
ANDREA ZUILL
Business Pig
by Andrea Zuill
No wallowing in the mud or rooting for grubs for Jasper; he'd rather help with the bookkeeping or conduct a meeting. But no matter how many business cards he hands out, no one wants to adopt him. Can this above-average pig find a special person to cut deals with?
Available to order here

.................................................................................................................................
Jen Betton wrote and illustrated HEDGEHOG NEEDS A HUG (Penguin Books). She also illustrated TWILIGHT CHANT by Holly Thompson (Clarion-HMH).
You can find her here: 

Saturday, April 8, 2017

Fresh Eyes

Sometimes it's hard to see the problems in your own work. We get too close to it, look at it for so long that mistakes can look normal. Here are several tricks to get a fresh look at your work: We'll use a couple of N.C. Wyeth's paintings as examples. 
1. Look at it upside down or in a mirror:
Flipping it around may help you see your piece differently, especially when it comes to noticing big compositional shapes. A mirrored version often will show if you've tilted the composition or if you have some asymmetry problems with figures.
2. Look at it across the room:
"Get back from your work" was a constant refrain in my figure drawing classes. A little distance helps you see the piece as a whole, and look at in terms of composition or proportion, rather than getting caught up in the details. If you are working on the computer, you can also try zooming way out.
3. Squint:
If you look at your piece out of focus, it melds the details into the larger shapes, once again helping you focus on the larger elements of your piece. This is very helpful for checking your values.
4. Change it to black and white:
This one focuses on your value structure. If the values aren't strong your composition is probably suffering, or it may even be hard to "read" the image.
I hope these tips are helpful! I was reminded of the upside down trick by Art Director Cecilia Yung, who likes to check artist's designs that way.
...............................
Jen Betton writes and illustrates for children. Her debut author-illustrator book, HEDGEHOG NEEDS A HUG will be published by Putnam in 2018. She is also currently illustrating TWILIGHT CHANT for Clarion Books. You can find her work at
 www.jenbetton.com
@jenbetton on Twitter
www.facebook.com/jenbettonillustration on Facebook

Tuesday, January 3, 2017

Picking a Color Palette

Sometimes coming up with a good color palette for a piece is a struggle. When I'm picking a palette I want one that is pleasing to the eye, appropriately emotive, and represents all objects as seen in the same light. Here are a few different methods I sometimes use to choose a set of colors. 

1. Borrow it: use the color palette of another artist. 
Someone else has already put together a combination of colors that work – and can be used again!

Image on left –  © NEXON Korea, by Yoo Mira. Image on right © Jen Betton

2. Limit it: pick a very limited number of colors to work with. 
Color harmony is easier to achieve with only a few colors, which you mix together. The extreme version of this is a monochromatic image.

© James Gurney, using just red, blue and white.
© Georgetown Atelier/ Tenaya Sims, using a limited palette of brown, black, red, yellow, and white. 

3. Pick it: Use a color wheel and select a complimentary, split complimentary, triad, tetrad, or analogous palette. See separate post for definitions of these palettes. The website Kuler gives you some fun tools to use.

https://color.adobe.com
Example of a complimentary palette
© Scott Gustafson, using a complimentary palette

4. Harmonize it: Mix a bit of a unifying color into your other colors. 
This isn't exactly a method to pick a palette, but it can help you unify an existing one. A classic technique is to do a color wash either under or over the entire painting. I usually start my piece with a light wash of color. That way all of the colors are influenced by the underlying tone.

© Christian Birmingham. There are a lot of different colors in this piece – orange, purple, pink, yellow, green – but they are all toned by the blue underwater atmosphere, and so feel like they belong. 

Earlier this year KidlitArtist Ana Aranda shared some of the methods she uses to pick palettes, which you can read here

I've written some other color posts you can see here

James Gurney has some wonderful posts about color on his blog, Gurney Journey

......................
Jen Betton writes and illustrates for children, and is currently illustrating TWILIGHT CHANT for Clarion Books.  You can find her work at
 www.jenbetton.com
@jenbetton on Twitter
www.facebook.com/jenbettonillustration on Facebook

Monday, June 20, 2016

An Interview with Author/Illustrator, Tina Kügler

I'm so excited to have Author/Illustrator, Tina Kügler visit KidLit Artists today!  

Tina is the illustrator of THE CHANGE YOUR NAME STORE by Leanne Shirtliffe, NO MORE BEIGE FOOD, also by Leanne Shirtliffe, the co-author/illustrator of IN MARY'S GARDEN, and the author/illustrator of her most recent book, SNAIL & WORM: THREE STORIES ABOUT TWO FRIENDS.  

I've been a huge fan of Tina's work for many years and I loved learning more about her books and  her process.  I hope you will, too!   


Please tell us a little about SNAIL & WORM.

One of the reviews described it as "cheerfully screwy," which is the best description I could come up with. It is three stories about two characters, Snail and Worm.

My youngest was really struggling when he was learning how to read. I was trying to find something for him that was simple enough but also funny, where there was the payoff of a gag or joke that he would get as he was slogging along through the words.  I couldn't find what I was looking for, so I wrote it!

There's a part in the last story, where Snail has a misunderstanding, and the animal that is pictured is not the one described in the words. For kids just starting to read on their own, they all get the joke, it's a reward for working their way through the story.

I chose these characters because most kids can find them outside. They have limitations, for example, snails are slow, so it helps set up the gags. Of course the snail is racing against a rock, or a stick, it's the only time he can win a race.


What was your process like for SNAIL & WORM? As an author/illustrator did
the story idea start visually or with the text?

I always think visually, the words come after. It's like, I'm a storyteller, not a writer. From working in storyboards for animation, it actually comes to me as scenes from a film before anything else. SNAIL & WORM's text came out as all dialogue. It's like a puppet show, the way it is staged, it's flat.




For your book, IN MARY’S GARDEN, you collaborated with your husband,
Carson Kugler. What was the collaboration process like? How did you arrive
at the finished images?

Yes, and we are still speaking. ;)

We both come from a background in animation storyboarding, so it helped us tremendously in collaborating. In animation, artists work in teams, no one person takes ownership of a cartoon-- it is passed back and forth and everyone does the thing they do best. So we treated it like that, we bounced thumbnails back & forth until we agreed. Then we did roughs, and each of us would do a pass, again & again until we agreed.

Mary Nohl used found objects, and essentially other people's garbage, in her artwork-- so I scanned found papers like old receipts, vintage postcards, old dictionary pages, and coffee-stained paper to use in our collaged illustrations.

Carson would trace our roughs onto watercolor paper and paint the main elements with watercolors. I prefer to draw and paint on my tablet, so I scanned in his paintings, and layered them with the found papers and my own digital paint.

For the final step, I drew on top of everything with a lot of hatching and shading.
We created something together that neither of us could have created individually. The difficult part was retaining Mary Nohl's personal style and design motifs as well as our own styles.






What were your favorite books as a kid?

WHAT DO PEOPLE DO ALL DAY? by Richard Scarry.
A GREAT BIG UGLY MAN CAME UP AND TIED HIS HORSE TO ME by Wallace Tripp. He is my all-time favorite illustrator, just masterful. He also did SIR TOBY JINGLE'S BEASTLY JOURNEY.

I would get lost in ANNO'S JOURNEY by Mitsumasa Anno, I spent hours staring at the spreads. It inspired the background hatching in both IN MARY'S GARDEN and SNAIL & WORM.

I also really loved the illustrations of Nancy Ekholm Burkert, she won a Caldecott Honor in 1973 for illustrating SNOW WHITE, it's still in print in paperback. I would highly recommend tracking down a copy of her version of THE NIGHTINGALE, it's out of print but tooootally worth finding. Beautiful and frightening.



Can you tell us a little about what you’re working on now or about any
upcoming projects?

I just submitted the final art for SNAIL & WORM AGAIN. I am super excited because it is really funny, maybe even better than the first one. And a little sad. But then funny again.

Carson and I are working on another picture book biography together that we are almost ready to pitch. It is very visual so we need to have a sketch dummy together.

I am also working on an early chapter book idea I have brewing.


Where can we find you online?

My online portfolio is at tinakuglerstudio.com. I am occasionally on Twitter at @tinatheatre, more frequently when I am procrastinating.


Thank you, Brooke!!!

Thank you for visiting, Tina!

You can also hear more from Tina and her husband, Carson, on their Let's Get Busy Podcast interview with Matthew Winner of All the Wonders.