Showing posts with label sungyeon joh. Show all posts
Showing posts with label sungyeon joh. Show all posts

Monday, July 8, 2019

It's A Wonderful Life

As children's book writers and illustrators, we are a part of this amazing community that sees the world from the unique perspective of tiny humans. Something I hadn't considered until recently is the fact that many of the professionals working in this field are also balancing parenting (sometimes full time) while creating too.

Curious about this, I did a search for articles that would answer some of the immediate questions I had regarding the maintenance (and growth) of a creative career while being a parent to a little one. I started rifling through old SCBWI magazines that I had kept while perusing the internet and was surprised that I found more questions than answers. 

So I went to the experts and interviewed three Mentees who are balancing their creative careers while being awesome parents too! They had some wonderful insight I am excited to be sharing with you. Whether you are an expecting parent or a one that's already in the trenches, this article is a must-read on how to keep swimming.



Q: How do you balance staying home with little ones and still have time for your creative work?

CORINNA:  It’s tricky, for sure. I think it’s important to remember that this is a phase, and your children will grow up quite quickly. It may not seem like it at first, but as they say- the days are long but the years are short. This is SO true. 

I have found that it can be helpful to remember that limits are not necessarily a problem- they can also be your friend. Perhaps when your children are very young it is not the time to experiment with an overly complicated style.  Those early years are a great time to take honest stock of your strengths and weaknesses as a writer or illustrator and then play to your strengths! Embrace the things that you know you do well.  It can also be helpful to use materials or techniques that you can walk away from and come back to it without having to do major cleanup each time. Watercolor is wonderful for this. Or maybe it means working in small 20 minute increments, but learning how to string those increments together.  One tip that I learned for this, is to always stop when you are still slightly in the zone and have a clear idea of what you’re going to do next.  This gives you a quick and easy re-entry point the next time you are able to work on the piece again.  Because if you work on a piece until you have no idea what comes next, and you are interrupted often, it can be hard to find your way back into the flow.  But if you know what you want to do next, even if it is something as simple as making a pair of shoes red, you have a way back in.  

Also, you can surprise yourself.  I never thought I’d be able to work at night. But I found that I could put my daughter to bed at night and fall asleep with her, then wake up after 20 minutes or so and work from 9pm until 1 or 2 am.   This isn’t an ideal schedule for me, and as soon as my daughter entered kindergarten I went back to work during the day.  But it was definitely something that I could manage for a few years to make more uninterrupted time for art making.  I have found, especially when you’re tired,  that the first few minutes are the hardest.  But if you can just sit down in your chair and pick up a pencil and start working… you can find your way into a rhythm more quickly than you might think.  It’s mysterious in a way, but I have found that where ever you can make the time and space for creative work, it will meet you there. 

SUZANNE: I push a schedule to work earlier before everyone gets up.  Also during crunch time, my family leaves for weekend trips to let me focus for a few days.

I also bought a portable Cintiq I have used in the car, soccer practice, or anywhere in between.

SUNGYEON: I think it is super hard to do anything creative until the baby is two or three. I got help as much as possible like a food delivery service, grocery shopping service, a robot cleaning machine, a dishwasher, an air fryer, and an instant pot. I used my iPad as my main creative tool.  It is quick, simple and easy.  In this time, quality is not that important, quantity is precious. Quick doodling, quick sketch and a quick note kept me in a creative loop. 


Q: How do you manage to stay motivated when your brain is running on zero sleep?

CORINNA: Sleep is so important— for your body, mind and creative spirit… and not something that you want to sacrifice for very long. After about a year of working late at night and not sleeping very much, I started to notice it was affecting me.  As I continued to work at night, I made sure to take afternoon naps with my daughter.  This allowed me to work at night for a few more years without it taking as much of a toll.  Ultimately, this is something I think you can do for bits of time... on a deadline etc... but in the long run, it’s important to make sure that you have a healthy lifestyle and to keep the long view. Be patient. Be kind to yourself. Be realistic about your priorities at this stage- because it IS a stage. And it will pass. 

Also keep in mind, that even when you are not making art, as long as you are parenting a small child, you are absorbing SO many influences for your art.  Your heart is growing and your understanding of children is growing.  It might help to think of it as the research stage of your bookmaking life.  Because no matter how tired you are, you will certainly be looking at TONS of picture books together.  And this will not always be the case.  On those days when you are SO tired, I think it also helps to keep your work loose and rough. To think of what you are doing as notes, quick sketches, and imagine that you are saving up some of these impulses and ideas for another day.  Now that my daughter is almost 10, I have more time for work.  But she’s no longer the perfect age to use as a model for most picture books and she no longer says and does all those strange, wonderful, surprising things that very small children say and do.  

SUZANNE: I try to read at least a few picture books every day and sneak in sketches with crazy materials.  This inspiration keeps me going.

SUNGYEON: Please sleep whenever you can. I went to urgent care a couple times for exhaustion and it was not worth it. Wait and think about what you will do when your baby goes to preschool. Meanwhile, go to the library with your baby and research and study children's books with them. It is a precious reference, and babies are experts with children's books. Learn from them. It is your research period. 

Bank your stories/ideas in a notebook as you research. In a couple of years, you will be ready to sit down and carve out these ideas.  


Q: What is one piece of advice you wish someone had given you when you were first trying to find time for creative work with a little one?

CORINNA: Be patient. You will have more time to work on art and books soon enough.  Your child will grow up SO fast, and they will want to hang out with their friends more than you.  So treasure this time.

SUZANNE:  That is was OK to be selfish with your time.  That I deserve to have this time and it doesn't make me a bad mom.  I struggle with this still.

SUNGYEON: You may not have the luxurious 3-5 hours of creative time, but you can still find it here and there. The longest time you may find might be less than 30 minutes if you are lucky.   So plan ahead for creative time when baby falls asleep.  I made lists of what to do for  30 minute blocks. When the time comes, don't look at dirty dishes or surf the internet. Utilize your precious 30 minutes meaningfully. 

Take turns with your partner.  Have baby-free time one evening, and give your partner baby-free time another evening.  


Q: Is there anything you wish you would have spent more time on or prepped more for before your little one arrived?

CORINNA: It’s such a difficult thing to “be prepared” for.  In many ways, I think it’s best to be prepared to be unprepared.  Make peace with the fact that life is going to surprise you and that those surprises and the messiness of it all are also the essence of life itself.  The truth is that being a parent (and balancing parenting with a creative career that will take as much of your time as you can give it) can be very difficult at times.  But being a parent also opens your heart up in an incredible way. And this can be a tremendous gift to your art making, in the long run.  Ultimately, making picture books might be your dream, just like it was mine, but it isn’t going to make you happy.  The more books I make, and the more my career grows, and the busier I get, the more this becomes very very clear to me.  Happiness or contentment—or whatever you want to call this thing that we are all searching for…really can only exist right here, right now, in all the tired and mess and hoping and wishing and failing and trying again.  

SUZANNE: Setting up childcare and not feeling guilty for wanting to do both.  I wish I would have felt comfortable spending the money on a good computer and a Cintiq tablet.  I felt all the money should go to the new family and that I could get by.  It was only after winning the mentorship I gave myself permission to stop using my 15-year-old tablet from college.   

SUNGYEON: Baby-proof your art space.  Organize art supply drawers, so that you can work efficiently. Donate unnecessary art supplies, and simplify your environment.  You will fill up space with lots of baby stuff, but don't give up your art corner.

Also, don't spend too much time decorating the baby's room. Babies don't care about their rooms and they will want to replace the beautiful elephant and flower mural paintings with superheroes and princess when they grow up, anyway.

I transformed my art room into the baby’s room before the baby was born and it took three years to convert it back to my own space. Luckily, I wrote some baby diaries to remind me of wonderful times.   I wish I drew more and took more pictures of my baby.  Enjoy the precious moments!  They don't come back until....... you have a second baby! :)



~Jeslyn Kate


Jeslyn Kate writes/illustrates for children and teaches art.
You can find her work at these different locations:
Website:www.jeslynkate.com
Instagram: Jeslyn Kate
Twitter: @jeslynkate
Facebook: https://www.facebook.com/jeslynkateart


Monday, August 21, 2017

Master Studies of Picture Books

I learned about  Master Studies of Picture Books from awesome Arree Chung's Storyteller Academy class, and It was helpful to understand my favorite picture books.
I would like to share my studies of Good Night, Gorilla , Little Blue Truck and Where the Wild Things Are.  Hope you enjoy and try for your favorite books too!



Title: Good Night, Gorilla
Words by: Peggy Rathmann
Pictures by: Peggy Rathmann
Year: 1994
Publisher: Putnam's Sons, Board Books



1. Characters : Gorilla, Zoo Keeper, His Wife, and Zoo animals
2. Location : Zoo and Zoo keeper's house
3.Time : Evening to Night
4. Problems : Gorilla opens doors of zoo gates.
5. ll/Esc* : All animals escape from their cages and go to Zoo Keeper's bedroom.
6. Resolution : Zoo keeper's wife walks back with the animals to their cages.
7. Concept : It satisfies children desire to sleep with their parents even though their parents want their children to sleep in their own room.

8. Successful : My son laughs when the wife finds out the animals sleep with her in the dark and he calls the wife, "Mommy'. and Zoo keeper, "Daddy." the pictures in the room shows relationship between the couple and animals which is like parents and children.

Beautiful lighting and color remind me impressionism. It scarifies one page with solid black.  Background sets in the picture also tells stories without words. - example, photos of baby animals on the wall. Female character takes care of the mess.  Little banana and mouse interaction is fun to watch. The book shows all animals in every pages even if they only show a part of their bodies.  My son loves finding a balloon, and he never gets bored. Gorilla is funny and he talks to readers with his gesture.
9. Unsuccessful : First, I thought Zoo keeper character is weak, but, I think the author mean to do that to make female character stronger character.




Title: Little Blue Truck
Words by: Alice Schertle
Pictures by:Jill McElmurry
Year: 2008
Publisher: Harcourt Children's Books




1. Characters : Blue Truck, Yellow Truck, Frog and Farm animals ( Cow, Chicken and etc)
2. Location : Farm
3. Time : Day time
4. Problems: Mean Yellow truck gets stuck in the mud.
5. ll/Esc : No one wants to help mean Yellow truck but Blue truck. Since Blue truck helps yellow truck, everyone helps Blue truck to rescue Yellow truck.
6. Resolution :Tiny frog pushes everyone and Yellow truck is rescued. ( I like the joke.)
7. Concept : Be good to everyone , then they will help you when you are in trouble.
8. Successful : Beautiful art brush strokes, character designs and funny frog's gestures. It shows how to help friends. Blue color of the truck is unique. ( It is not typical red.)
9. Unsuccessful : Typical story line and expected ending. It is little preachy.


Title:Where the Wild Things Are
Words by: Maurice Sendak
Pictures by: Maurice Sendak
Year: 2012
Publisher: HarperTrophy





1. Characters: Max, Mom and Monsters
2. Location: Max's room, Imaginary Monsters World
3. Time : Late afternoon to late evening.
4. Problems : Max misbehaves and he is angry with his mom.
5. ll/Esc : Max leaves home and went to imaginary world. Then he becomes a king.
6. Resolution : Max misses home and comes back. And dinner is waiting for him.
7. Concept : Max runs away from home and makes new cool monster friends who accept and admire Max's misbehaving. But he learns that he misses his  mom and comes home.
8. Successful : The story satisfies children's ego. They want to be free. The soup replaces Mom character in the picture. I am glad that there is not a single picture of mom. It is not too preachy and tells the story from children's point of view. Strong beautiful wild monsters designs,and unique layout are successful. Why max is wearing a costume? I think this is the most successful element because it created iconic character in the picture book history.
9. Unsuccessful : I can't find any.

II* = Inciting Incident (The event that starts the story.)
Esc = Escalation (How one event causes a bigger event that causes another bigger event.)




See more of Sansu ( Sungyeon)'s work on her website, Facebook, Instagram, Etsy, Pinterest, Twitter, or Amazon author page.

Monday, November 14, 2016

Interview with 2016 LA Mentee, Sungyeon "Sansu" Joh

Sungyeon "Sansu" Joh was the recipient of the SCBWI Mentorship Award at the 2016 Summer Conference. Kidlit Artists would like to officially welcome Sungyeon to the blog, and ask her a few questions about the Mentorship experience, and about what she is up to these days.



Did the feedback you received during the mentorship critiques either change or confirm the direction of your illustration?


I gained a lot of confidence from mentors' kind words. It is hard for me to make a room for myself from my full time job and two year old son. I try to simplify my life and I tend to make simple images too. And they make me peaceful as well as excited. However, I sometimes doubt myself and worry if my art style is too boring. Cecilia Yung told me that she likes my simple images. Peter Brown and Priscilla Burris told me that I can just keep going what I am doing. 

It was just cool to talk to my picture book heroes and hear that they like my work. I joined a couple of groups of mentees and they have been really helpful sharing resources and tips. I think we really need to help each other, and we need colleagues and mentors. I feel very lucky. 

Neal Porter told me that he likes to make picture books because he enjoys collaborating with people. I tend to work by myself in an isolated environment and his words will stay in my mind for long time.



What kind of projects are you working on now?

I am working on a dummy book about a skunk who has a farting problem at his new school. I am working on another couple of dummy books about monsters and birthday parties. I have many story ideas and it is time to put them together.




Is there any type of illustration (or other work) that you’re hoping for in the near future?

I have been reading picture books to my son many times, and I feel bad for adults who have to read the same books over and over to kids. I would love to make adult picture books that kids may enjoy too. Beside picture books, I would love to do puppetry and personal animation. I miss my old school years when I spent days and days working on my independent animation.



Is there one really helpful piece of advice that you’ve gotten since pursuing illustration?  Any one piece of bad advice?

Rules exist to break. The artists that change perception, or break the conformity that are remembered. Artists that challenged the “standard,” setting themselves apart as not just artists, but visionaries. I am trying to find my own voice and remind myself what Billie Holiday said, “If I am going to sing like someone else, then I don't need to sing at all.”



What was one of your favorite quotes or lessons from the SCBWI Summer Conference?

"I only wanted to draw rocks and chairs" --Jon Klassen. I think that the children's book world is all about character-driven stories these days. Jon is not afraid to say what he doesn't like to draw. And his limitation is truly a unique gift to us. I love that his characters are stiff like rocks and chairs, and still tell wonderful fun stories without big actions and extreme facial expressions. Jon said that Maurice Sendak's dummy for WHERE THE WILD HORSES ARE had tons of horse drawings in it, but Maurice hated drawing horses and created WHERE THE WILD THINGS ARE instead. I like to work within my limitations and turn them into something unique. I am so happy that Jon's work is appreciate and loved by the world.



What were some of your favorite books when you were a kid?

I love the stories written by Danish fairytale writer Hans Christian Andersen. I loved The Little Mermaid, The Fir Tree and Happy Prince even though my heart ached from the sad endings. I used to imagine my own version of happy endings and changed the stories.



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See more of Sungyeon's work on her website, Facebook, Instagram, Etsy, Pinterest, Twitter, or Amazon author page.